Zoe Leonard is included in the exhibition "Axis Mundo: Queer Networks in Chicano L.A." at Williams College Museum of Art from 6 September to 9 December 2019, and also at The Gund Gallery at Kenyon College from 17 January to 12 April 2020.Īxis Mundo: Queer Networks in Chicano L.A. is a traveling exhibition that explores the intersections among a network of over fifty artists. Their resin surfaces range from the high gloss pours seen in any fallow field, to a new matte finish that absorbs and softly reflects the light, while also revealing unexpected infiltrations of color. Despite the ominous undertones, the works in ILL offer important pockets of brightness, as they capture a kaleidoscope of material diversity-one that stands in for the diversity of the world, a world that can yet change, yet again. The paintings, which extend forward into space on steel supports, are in instances perforated, punctured, and inflated.
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The featured works also continue Moffett’s vision to break free the canvas from its rectangular confines and the wall. Produced in a range of colors, from deep black to crisp white, these abstracted organic forms serve as guideposts to a much-needed discussion on how we have found ourselves in the predicaments of today. Marianne Boesky Gallery is pleased to present Donald Moffett's exhibition "ILL (nature paintings)" from 7 November - 21 December 2019 in New York. In "ILL", Moffett takes up an array of references, from pictographic bleached sea corals, to scans of the human brain, to the vast galaxies spinning deep within the night, blue sky. Fernández’s sense of the landscape suggests not only the physicality of the land, but also the history of human beings who have carefully cultivated it, or abused it, and the subsequent erasure that continues to shape our present-day perceptions of the people and places around us. These panoramic landscape scenes expand and contract to suggest ancient mountain ranges, bodies of flowing water, subterranean minerals, radiant skies, and the immensity of the cosmos. Merging the conceptual and the material within her Dark Earth series, Fernández sculpts raw charcoal into sumptuously textured, abstracted images that challenge conventional notions of landscape art traditions. The presentation will feature four panels made of solid charcoal on chromed metal that delve deeper into the artist’s interest in the buried, layered, and often violent histories of landscape and place. This special installation debuts the artist’s most recent series, Dark Earth, begun in 2019.
Lehmann Maupin is pleased to announce "In Focus: Teresita Fernández" on view now through 4 January 2020. Ouspensky’s 1949 treatise on eastern philosophy of the same name) during which Ader is presumed to have disappeared while attempting a trans-Atlantic crossing in a tiny sailboat-a leap of faith for both the artist and those who believe his story. Artists include: Sarah Cain, Vija Celmins, Susan Collis, Jason Dodge, Jimmie Durham, Ceal Floyer, Harry Gould Harvey IV, Hugh Hayden, Jeppe Hein, Jim Hodges, Chris Oh, Yves Klein, Paul Pfeiffer, Naudline Pierre, Dario Robleto, Betye Saar, Jeffrey Vallance, Melvin Way, and others. Curated by Jonathan Rider, this group exhibition explores belief, believability, and the suspension of disbelief in the form of art objects, talismans, multiples, doppelgängers, spiritual(ish) artifacts, and tales of impossibility. The show’s title and concept nods to Bas Jan Ader’s three-part final performance In Search of the Miraculous (titled after P. The FLAG Art Foundation presents In Search of the Miraculous on view from October 16, 2021-January 15, 2022, on the 9th floor. Sarah Cain is included in "In Search of the Miraculous" at The Flag Art Foundation curated by Jonathan Rider, 16 October 2021 - 15 January 2022.